{"id":2042,"date":"2026-05-30T13:13:00","date_gmt":"2026-05-30T11:13:00","guid":{"rendered":"https:\/\/www.liwhy.org\/?p=2042"},"modified":"2026-10-02T15:52:19","modified_gmt":"2026-10-02T13:52:19","slug":"atelier-sms-poetry-2","status":"publish","type":"post","link":"https:\/\/www.liwhy.org\/index.php\/en\/2026\/05\/30\/atelier-sms-poetry-2\/","title":{"rendered":"\u201cFacilitating &amp; Writing\u201d Seminar, 2"},"content":{"rendered":"\n<p class=\"alignwide has-xx-large-font-size wp-block-paragraph\" style=\"font-style:normal;font-weight:300\">\u201cFacilitating &amp; Writing\u201d Seminar, 2<\/p>\n\n\n\n<p class=\"alignwide wp-block-paragraph\">Presentation at the Joint Seminar on Leading Writing Workshops, organized by UMPV &amp; AMU<br>Leading &amp; Writing, Part 2: From Writing Workshops to Personal Workshops in the Age of Digital Technology and AI.<\/p>\n\n\n\n<p class=\"alignwide has-small-font-size wp-block-paragraph\">Friday, May 29, 2026 \u2013 10:00 a.m.\u20135:00 p.m.<br>Paul-Val\u00e9ry University of Montpellier (Saint-Charles 2 Campus \u2013 Auditorium)<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"1440\" src=\"https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry01-1024x1024.jpg\" alt=\"\" class=\"wp-image-1440\" srcset=\"https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry01-1024x1024.jpg 1024w, https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry01-300x300.jpg 300w, https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry01-150x150.jpg 150w, https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry01-768x768.jpg 768w, https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry01-600x600.jpg 600w, https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry01-100x100.jpg 100w, https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry01.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"1441\" src=\"https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry02-1024x1024.jpg\" alt=\"\" class=\"wp-image-1441\" srcset=\"https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry02-1024x1024.jpg 1024w, https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry02-300x300.jpg 300w, https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry02-150x150.jpg 150w, https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry02-768x768.jpg 768w, https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry02-600x600.jpg 600w, https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry02-100x100.jpg 100w, https:\/\/www.liwhy.org\/wp-content\/uploads\/2026\/07\/SMS-poetry02.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"alignwide has-small-font-size wp-block-paragraph\" style=\"column-count:2\">It is often said that we no longer write or read. It is true that we read fewer books and hardly ever write by hand anymore. Yet, every day\u2014sometimes for hours\u2014we read and write very short texts: text messages, chat messages, comments, and social media posts. The &#8220;SMS Poetry&#8221; workshop takes this reality as its starting point, bringing together these brief, everyday forms of writing and the art of poetry. It poses two direct questions: Could comment threads evolve into a literary form? Could our chat exchanges rival the great correspondences of the past? It also seeks to open up creative writing to audiences that typically steer clear of writing workshops\u2014particularly young people\u2014and to foster collaboration between generations divided by the digital age: those who primarily knew the pre-digital era, those who have known only the post-digital world, and my own generation, which lived through the transition.<br><br>I delivered a fifteen-minute presentation remotely to an audience gathered in Montpellier. I introduced the &#8220;SMS Poetry&#8221; concept and the two-hour writing workshop format\u2014an approach I have previously conducted in person on several occasions. The first exercise involves manually composing a fictional text-message-style exchange using excerpts from poems, while the second entails rewriting a real conversation from one\u2019s own phone into a poetic form. This method allows participants to deconstruct both poetic structures and the brevity of text messaging, exploring the interplay between these two worlds to create &#8220;SMS Poetry&#8221; texts.<br><br>The remaining time allowed for testing a fully digital, collaborative version of the format. Without any preparatory exercise, participants were invited to immediately engage in a collective poetic exchange via instant messaging. They formed groups based on personal affinity and created their own WhatsApp groups. Each group initiated the exchange using one of the four proposed fragments, sending it as-is for the first message. These fragments were drawn from eta\u00efnn zwer\u2019s <em>Bleu nuit, Blouson rose<\/em>:<br><br>tu vois dans les contours des enfermements.<br>quand tu te br\u00fbles ou te coupes tu crois t\u2019\u00e9chapper un peu.<br>ta peau te cl\u00f4ture. <br>le plaisir est devenu un truc que je pr\u00e9pare pour d\u2019autres gens <br>bien rang\u00e9 une fois qu\u2019ils sont partis<br><br>Those who consented added me to their group so I could collect the texts. Three conversations reached me this way.<br><br>The most extensive one involved three participants: around thirty messages in six minutes. It opens with &#8220;Your skin encloses you,&#8221; immediately met with the question, &#8220;What do you mean?&#8221; Three stances emerge. One voice moves forward in verse (&#8220;Skin against skin against death&#8221;), another comments using everyday language (&#8220;xxx, are you okay?&#8221;), and the third lets sounds slide. The speed of the messaging app does the rest, and the conversation begins to rhyme:<br><br>Et nos corps nouent <br>Et la peau est moite <br>Et nos corps jouent <br>Et nos voix <br>Vouent nos corps <br>Aline \u00e0 la plage <br>Bouent nos corps<br>C\u2019est pas moi c\u2019est mes doigts (dit Sandra)<br>Bou\u00e9e nos corps<br><br>Next come &#8220;\u00c9crabouillent&#8221; [They crush], &#8220;\u00c9crin&#8221; [Jewel case], &#8220;\u00c9crevisse&#8221; [Crayfish], &#8220;\u00c9chevin&#8221; [Alderman], and &#8220;\u00c9cran noir&#8221; [Black screen], leading to the observation: &#8220;This conversation is taking on water.&#8221; The keyboard itself gets in on the act: &#8220;witch\u2019s cauldron&#8221; turns into &#8220;marmot&#8221; in the very next message\u2014leaving it unclear whether it was the hand or the spell-checker that made the choice.<br><br>The second group wrote three messages in three minutes: &#8220;Pleasure has become a thing,&#8221; &#8220;Blurred outlined outlined,&#8221; &#8220;Furtive fictitious?&#8221; Here, every send is carefully weighed, and the final message gives a nod to the <em>Ateliers furtifs<\/em> [Furtive Workshops], who were present that day. In the third group, the fragment &#8220;neat and tidy&#8221; turns into domestic comedy: a &#8220;big head full of yogurt,&#8221; an &#8220;O R G A N I C !!!???!?!&#8221; answered by &#8220;O-r-g-a-n-i-c: Iconic Shift into the Olive Trees.&#8221; The last message picks up a phrase from my presentation\u2014&#8221;Imaginary Emancipation&#8221;\u2014and then confesses to a typo that became a stroke of genius: &#8220;I had written <em>\u00e7a t\u2019en biche oh ma biche<\/em> [that makes you happy, oh my dear]&#8230;&#8221;<br><br>What can we take away from these ten minutes? First, that the tool shapes the form. The brevity of the bubbles, the rhythm of the messages, the rapid-fire punctuation, and the whims of the spell-checker create effects that the written page would not have elicited. The machine thus plays a role in the writing process, but as an accident to be either embraced or corrected\u2014never as a substitute for the writers themselves. Furthermore, the text belongs to no one: it emerges from the act of addressing and responding, and the relationship between individuals constitutes its very substance. There is a built-in safeguard: to write together, participants must first share their phone numbers and consent to having the text collected.<br><br>The &#8220;SMS Poetry&#8221; initiative introduces variety into the landscape of creative writing workshops. It blends digital writing forms\u2014such as concise text, online comments, and discussions\u2014with literature. The normalization of this new mode of writing could enrich digital interactions and, perhaps, even curb the spread of hate speech.<br><br>To take this further: how would AI respond if we addressed it with poetic prompts?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cFacilitating &amp; Writing\u201d Seminar, 2 Presentation at the Joint Seminar on Leading Writing Workshops, organized by UMPV &amp; AMULeading &amp; Writing, Part 2: From Writing Workshops to Personal Workshops in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"actualit","format":"standard","meta":{"content-type":"","_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[46],"tags":[],"class_list":["post-2042","post","type-post","status-publish","format-standard","hentry","category-uncategorized-en"],"_links":{"self":[{"href":"https:\/\/www.liwhy.org\/index.php\/wp-json\/wp\/v2\/posts\/2042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.liwhy.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.liwhy.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.liwhy.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.liwhy.org\/index.php\/wp-json\/wp\/v2\/comments?post=2042"}],"version-history":[{"count":4,"href":"https:\/\/www.liwhy.org\/index.php\/wp-json\/wp\/v2\/posts\/2042\/revisions"}],"predecessor-version":[{"id":2135,"href":"https:\/\/www.liwhy.org\/index.php\/wp-json\/wp\/v2\/posts\/2042\/revisions\/2135"}],"wp:attachment":[{"href":"https:\/\/www.liwhy.org\/index.php\/wp-json\/wp\/v2\/media?parent=2042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.liwhy.org\/index.php\/wp-json\/wp\/v2\/categories?post=2042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.liwhy.org\/index.php\/wp-json\/wp\/v2\/tags?post=2042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}